STET No Limits Festival

No Limits festival brings you a weekend of diverse and curated international theatre by professional disabled artists. Immerse yourself in the work of world class performers.

Let’s have dynamic conversations, educate ourselves and most importantly enjoy great theatre!

Browse No Limits festival website here!

Dates, Venues & Tickets

Theater aan het Spui
Spui 187, 2511 BN Den Haag

Friday 4 October:
Opening night with Jess Thom and friends (19.00) : key note speech on pushing the limits of inclusivity. Spoken in English and Dutch. Dutch Sign language interpreter. Dutch and English surtitles.

Els Àngels no tenen fills (Catalan/SP) (20.30) : Is maternity for disabled people? Catalan spoken. English surtitles. Dutch Sign language interpreter.

Saturday 5 October:

Blue Badge Bunch 7+ (UK) (11.00) : An interactive fun game representing different disabilities. English Spoken. Dutch sign language interpreter.

Inclusive Theatre Workshop with Johnny Cotsen (14.00): Drawing powerful inspiration from “being different together”. English spoken. British sign language. Dutch sign language interpreter.

Deafy (CA) (19.00) : Solo performance about what it means to belong as a deaf person. American sign language. English surtitles. Dutch surtitles (on request)

Kitchens Light (NL) (20.10) : Short stories and poetry in Dutch Sign Language. Free event – no ticket required! 

Usually I am on Top (NL) (20.30) : Questioning todays norms of womanhood and sexuality. Spoken in Dutch. English Surtitles. Dutch sign language interpreter. Audio description for the blind and visually impaired. 

Tickets

Full Festival ticket 

Excited to see everything? Buy the full festival ticket to experience the whole weekend!

Get yours here!

Accessibility

Theater aan het Spui is wheelchair accessible and there is one accessible toilet. Parking is available with disabled parking spaces.

There is a chill out zone available and we have prepared a familiarity document so that you can get familiar with the building, the facilities available and the different rooms. The stimulating places are clearly indicated in this document.

For anyone who would like we have a meet & feel session organised so you can get a feel for the space and meet some of the performers before the shows take place.

If you have any special needs, please do not hesitate to contact us at production@theenglishtheatre.nl

STET are working in partnership with HNT onbeperkt to make No Limits festival accessible for everyone. To read more about HNT onbeperkt and their work with Het Nationale Theater follow the link here and if you have any questions regarding accessibility please don’t hesitate to contact us!

Line-up 

Jess Thom – Opening Night Performance

We are delighted to welcome British theatre maker, comedian and founder of Touretteshero, Jess Thom to open No Limits Festival with her key note speech on pushing the limits of inclusivity.

The opening night will also include talks from our incredible line up : Willemijn Haasken (Het Nationale Theater / HNT Onbeperkt), Jennifer Cosgrave (The British Council), Ieder(in) (De Week van de Toegankelijkheid), Fabian Pikula (Creative Access Lab) and last but not least a poetry performance by Boaz Blume.

Els Àngels no tenen fills

Is maternity for disabled people?

A STET debut in our first Catalan performance, Els Àngels no tenen fills spreads light on one of those issues that don’t seem to exist until someone starts talking about it out loud – sexual and reproductive rights of people with functional diversity. This is Theater of Testimony that raises questions that many might not have asked until now. What makes one part of the community believe that it is more valid than another for motherhood/fatherhood?

This performance will incorporate surtitles.

No Limits – Inclusive  Theatre Workshop

Drawing powerful inspiration from ‘being different together”, by Jonny Cotsen (UK)

Saturday 5 October, 14:00 – 15:30

Explore making theatre in a relaxed, participant-led and fun way. This interactive drama workshop was thoughtfully crafted for inclusivity. From deaf and hard-of-hearing participants to able-bodied persons and wheelchair users, people from all backgrounds and abilities can join as long as they share the love for theatre. Click for more…

Deafy

Solo performance about what it means to belong as a deaf person.

Nathan Jesper has flown in for his big talk and is desperately late. Upon arriving, he launches into his speech but things are soon found to not be what they seem.

Written and performed by Deaf performing artist Chris Dodd, Deafy blends ASL, the spoken word, and captions, to weave a tragicomedy that deals with deafness, community, and what it really means to belong.

Kitchens Lights

Short stories in Dutch Sign Language.

Kitchen’s Light is a group of performers who give their own presentations in their native language, Dutch Sign Language (NGT). Kitchen’s Light was founded in 2019, after a series of workshops by spoken word artist Elten Kiene. The group brings ‘signed word’ performances, individually or collectively, in freestyle pieces, classical sign poetry and ‘visual vernacular’ (an ‘own’ form of presentation of sign languages). Story telling and sign dancing (songs and music translated into sign language) are also in the repertoire.

Blue Badge Bunch

An interactive fun game representing different disabilities.

A hilarious game show where each game represents a different disability, giving kids and grown ups the chance to learn about Autism and Cerebral Palsy among others. Host Benny Shakes invites the audience to help join in the games, while the panellists battle it out to come up trumps, in a show where disadvantage is an advantage!

Usually I am on Top

Prevailing norms of femininity and sexuality are questioned.

In a world where beauty and perfect pictures blur the image of reality, Speels Collectief pulls the ideal image from its pedestal. In Usually I’m on Top, prevailing norms of femininity and sexuality are questioned. Vulnerable and grotesque, in words and bodies, seven women take you into their experiences and desires. In a search for a new morality (or no… the absolute rejection of it) we arrive at ‘what she really really wants’.

Photos from a previous STET symposium on disabilities in the arts:

For this show, STET is grateful for the support of: