The Art of swimming

Winner of the Best Dublin Fringe Award 2007
Nominee for the Total Theatre Award – Edinburgh 2007

Playgroup
Facebook

DATES
22, 23, 24 and 25 April  20.15 hours
Friday 24 April – after show talk

LOCATION
Doors open 19.30 hours
Museum Beelden aan Zee (Harteveldstraat  The Hague -Scheveningen)
At the time of this performance the stunning exhibition of sculptures by Tony Cragg can be seen

TICKETS
For both the performance and the museum
Full price: E 18.50
Discount: STET/UITPAS/HAGUESTCARD E 1,50 (take card/password (STET) with you)
CJP/Child >12 yrs:  E 14,50 (only pre-booking, can not be bought at the door)

RESERVATIONS
ONLINE in the STET Ticketshop, click here...
tickets.theenglishtheatre.net
TEL: 06 300 500 18
INFO and for Group Bookings > 10: info@theenglishtheatre.nl

INFORMATION
In 2005 in a Cork library, Lynda Radley came across a photograph of Mercedes Gleitze, who in 1927 became the first British woman to swim the English Channel, aged 26.

Inspired by her life, this solo performance thus contains two stories, not just that of Gleitze, whose success propelled her to stardom and further extraordinary swimming feats before she gradually faded from public view, but that of Radley's obsession with her.
Radley beautifully uses the miniature to convey the epic – a small step ladder becomes a diving board; a ring of stones conveys the magnitude of the sea; a picnic hamper and its contents are used to illustrate a body of childhood seaside memories.

Language, sounds and actions often echo each other, too – a breath of air becomes the sound of a wave; sometimes words spoken by Radley are mirrored in a tiny movement or gesture.

In essence this is about the loneliness of the long distance swimmer. Radley conveys the sometimes desperate solitude of swimming and the way one's sense of self is subsumed within both the seemingly infinite currents and depths of water and the abject physical exertion. Yet it's also more profound than that.

Radley readily acknowledges the role the imagination plays in reconstructing Gleitze's story, yet in doing so she also somehow makes the undertaking feel more real. It's a wonderfully honest and humane piece of work.

PRESS QUOTES
"….a brilliant blend of emotion and humour”   
Michael Collins – Festival Magazine – Dublin 2007

"A beautifully written and performed piece about a modest, strong-willed woman produces an hour of quiet, gentle delight. It was my first show this year but I know already that it will prove to be one of the gems of the fringe." -
On Stage Scotland- Edinburgh Festival 2007

"Radley beautifully uses the miniature to convey the epic" -  
Claire Allfree – Metro August 2007

"It’s both a thoughtful and inventively staged portrait…………, and a reflexive look at making theatre."
Financial Times August 2007